Writing Visually: On Onomatopoeia and Texturizing Text

darkerpages_logo_tempThe other day, a reader sent me a message via Twitter complimenting me for a scene from my first book, That Risen Snow.

Shameless plug: That Risen Snow is now on sale for free in ebook format on Amazon, BN.com, and most other online retailers.

I’ll avoid any spoilers, but basically the scene involves a character revealing that he’s been infected by Snow’s zombies. This character is trapped inside a mine with the other characters, and has basically become a ticking time bomb.

One of the things this reader liked about the scene was my use of onomatopoeia. Throughout the scene, the zombies can be heard in the background digging through some rubble.

Tchk. Tchk. Tchk.

Until I received this message, I hadn’t really thought all that much about how or why I use onomatopoeia. But now that I think about it, I do it a lot! In fact, the current novel I’m working on uses this device a lot.

Tchk. Tchk. Tchk.

I do other stuff, too, to visually cue the reader. For example, if I have a character falling, then I let the words fall, too.

One after another.

And another.

Dropping.

Hitting the return key.

And return again.

Tchk. Tchk. Tchk.

Or alternately if I want to create a sense of claustrophobia, then I’ll make a very dense block of text or if I want to create a sense of rambling confusion then I’ll just have one run-on sentence that goes on and on sometimes erratically like in two hours I need to have another meal or I wonder if my oil change is done or sometimes if I want both claustrophobia and confusion then I’ll do both at the same time.

Tchk. Tchk. Tchk.

My point here is that—as writers—words are our tools. And while primarily they should be used as subjects, verbs, and adjectives and neatly arranged in paragraphs, they occasionally can have other uses. We can work with our tools, but we can play with them, too. The Word Police won’t come after you if you use a word other than it was intended.

Remember, words are read, but they are also seen. And sometimes they’re just out of sight, lurking, waiting, scratching to get in.

Tchk. Tchk. Tchk.

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Gem City Comic Con Wrap-Up

Gem City Con Wrap-UpThis past weekend, I had the pleasure of being a guest at my very first comic show—Gem City Comic Con (GCCC). Mind you, I’ve been going to comic shows since around 1990, but this was my first time on the other side of the table.

I had an absolute blast!

A lot of friendly people stopped by my table to learn more about The Scary Tales, and I even got to meet with a few fans who’d already read some of the series. I sold way more books than I thought I would, and spread the word far and wide about my upcoming Wicked Apple Book Launch on June 4th at Eudora Brewing Company.

The main organizer of the show, Jesse Noble (a fellow Wright State University employee, by the way), did an incredible job of running the event, which is now in its TENTH YEAR.

GCCC has certainly grown over the years. It was once housed in the Student Union at Wright State, but now fills up the Nutter Center next door. Though it has expanded in size, the show has stayed rooted as a warm, local community event where everyone’s super friendly and very outgoing. Every single one of the other guests with whom I spoke praised GCCC as an ideal comic show.

And speaking of the other guests, I had some fantastic neighbors this weekend! On my left was Victor Dandridge of Vantage:Inhouse Productions. Rarely have I seen a creator who is so incredibly outgoing and personable. It was a pleasure watching him connect with fans, explain his work, and make folks laugh.

On my right was the super-talented artist Rodney Fyke out of Cincinnati, Ohio. He had a lot of awesome art for sale–fun stuff with a great sense of artistry and humor. If you ever flip the light switch in my living room, you’ll see one of his totally cool LEGO Batman lightswitch covers gracing the wall! He and his partner Tina were so kind to me over the weekend. Tina especially gave this first-timer a lot of great advice about other events and made sure to introduce me to all the right people. Rodney and Tina, thanks for being such caring neighbors! I really appreciate it!

And now the moment you’ve all been waiting for . . .

It’s time to announce the winner of last week’s special giveaway for the first signed paperback copy of THAT WICKED APPLE, due to be released in paperback at the end of April.

And the winner is:

Amy Baker!

Amy, I’ll contact you directly via email with details!

New to the list but didn’t win this week? Fear not! I give out prizes, such as signed paperbacks and free ebooks, every month. You’re bound to win something eventually!

In fact, I’ll be sending out an email to the list later this week and will raffle off a free ebook from The Scary Tales series. So, if you haven’t yet subscribed, now’s your chance! Simply enter your name and email in the form below, wait for the confirmation email, and click the link therein.

Name: E-mail:

 

THANKS so much for your support!

If you didn’t make it to Gem City Comic Con this past weekend, put it on your calendar for next year. You won’t want to miss it!

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That Wicked Gem City Giveaway!

ThatWickedApple3dgemSo, this weekend I’ll be selling and signing books at the Gem City Comic Con right here in Dayton, Ohio, and I’m so stinking excited to have a table at this stellar event that I’m going to do a special giveaway for the 1st SIGNED COPY OF THAT WICKED APPLE.

That’s right . . . one lucky winner will get the very first signed paperback copy of THAT WICKED APPLE, due to be released in paperback at the end of April. As soon as I get my stash of author copies, I’ll slap my signature on that bad-boy and send the very first signed copy to you!

But wait! There’s more!

To sweeten the deal, for every ten new email list registrations I receive this week, I’ll raffle off a free ebook—your choice from any of the four current SCARY TALES novels.

So, your odds of winning something are 1 in 10! Not bad, huh?

You can enter in one of two ways:

1) Stop by my table at Gem City Comic Con, introduce yourself, and sign up for my email list.

2) Not coming to Gem City? No problem. Instead, you can sign up by joining my email list using the form below. Just enter your name and email address and click Join the REBolution. You’ll receive a confirmation email with a link. Once you click that link, you’re in!

Name: E-mail:

Simple as that.

This contest will run until the con closes at 4 pm on Sunday, March 29th. All winners will be announced on Monday, March 30th right here on my website and via Twitter and Facebook.

And even if you don’t win one of these great prizes, I do monthly giveaways via my REBolution email newsletter. So, odds are, you’ll eventually win something!

Hope to see you at the con!

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Flores Factor Interview Bonus Questions on Writing and More

Darker PagesFor those of you who might’ve missed it, the super-witty Richard Flores IV interviewed me last week on his website, the Flores Factor. Here’s the link to the original interview:

http://floresfactor.com/?p=1192

Richard is the author of the science fiction novels, Dissolution of Peace, Volition Agent, and Broken Trust, as well as Editor-in-Chief of Plasma Frequency. He offered me an array of totally compelling questions, but because I tend to ramble on and on and on (and on (and on)), a few of my answers were cut from the final interview. So, I’m happy to present for you here the rest of the interview.

And if you’re not following Richard on Twitter (@Richard_Flores4), you’re really missing out on some insightful and fun tweets. Check him out!

And without further blathering . . .

Richard Flores IV: When did you start writing and what made you start?

Rob E. Boley: I first started writing during high school. My sophomore year, our English teacher, Julie Johnson, gave us a homework assignment in which we had to craft metaphors for various objects, places, or concepts. The next day, she called on us randomly to read some of ours. She liked mine so much that she asked me to read most of them to the class. That’s when I really knew I had a knack for this. For many years, I mostly wrote poetry. After my daughter was born in 2005, it was like a switch was flipped somewhere in my warped little brain. Suddenly, I had stories to tell. I’ve been writing fiction ever since.

RF: Did you learn anything about yourself or your writing while working on this book?

REB: THAT RISEN SNOW went through at least three or four major revisions, so it’s fair to say I learned a whole lot about writing along the way. I’d say the two biggest lessons I learned were: 1) to start the story when the action commences, and let the backstory come later; and 2) that the protagonist’s inner conflict is every bit as important as his outer conflict.

RF: If you had to pick one trait that makes you a better writer, what would it be?

REB: Easy. That’d be my anxiousness. I tend to carry around a mild bit of anxiety every day, so I’m always seeing the worst possibility in most situations. This sucks for everyday living, but it’s great for writing, because no matter how tense a scene is, I’m always able to come up with something to make it even worse for my poor characters. And actually, fiction writing becomes somewhat therapeutic, because when I’m working on a story, my mind is occupied with terrible things happening to my characters, as opposed to awful things that could be happening to me. So, everyone wins! Except for my characters. They’re screwed.

RF: When you are not writing, what are you doing?

REB: Well, by day I work at my alma mater, Wright State University, in the fundraising department doing data analytics and research. It’s a great job and I’m fortunate to work with a fun team of people. And best of all, while my job requires creativity, it apparently uses a completely different part of my brain than my writing. On the evenings or weekends, I spend a lot of time with my daughter. We like to play card games, dice games, and board games. We wrestle. Sometimes we go exploring in nature. We’ve been watching a lot of Regular Show lately. I do a lot of the same stuff with my adult friends, but with more swearing and drinking (and less wrestling).

RF: What is your favorite quote?

REB: “If you try and take a cat apart to see how it works, the first thing you have on your hands is a non-working cat.”—Douglas Adams. Some people are do-ers, and some are thinkers. I’m totally a do-er. I’d rather play with the cat than take it apart.

RF: What secrets would you share with aspiring authors?

REB: I think the most important thing new writers need to know is this: You write in solitude but you publish in solidarity. So, if you want to see your stories in print, you need to befriend other writers. Go to writing conferences. Don’t go to “network,” because that’s irritating, but be sociable. Make friends. These are people who can be your beta readers, write blurbs for you, open doors for you, listen to you while you vent, and celebrate your successes. In turn, you should be prepared to do all those same things for them.

Again, a big THANK YOU to Richard Flores IV for the interview! Once more, he can be found at:

https://twitter.com/Richard_Flores4

https://floresfactor.com

Write on!
Rob

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Immerse Your Readers: Don’t Sing It. Bring It.

Darker PagesA lot of writers like to use the phrase show, don’t tell. Personally, I prefer a catchphrase from one of my favorite old-school wrestlers, Scott Hall, who was known for saying, “Don’t sing it. Bring It.”

Whichever you prefer, the point is the same. When crafting a story, you serve the reader better by immersing them in the story through vivid description and detail.

Here’s an example:

She stepped outside the cabin. It was a bright morning and it was damn cold. She cursed under her breath and hugged her chest.

That’s a whole lot of singing.

Let’s try again.

She shoved the cabin door—swollen in its frame from the cold—and stepped outside. The low sun sparkled on the frost that covered the grass and gravel. It made everything look shrink-wrapped and artificial.

“Damn,” she said, the syllable lingering in front of her face in the form of pale steam.

A shiver rippled from her spine. She hugged her chest, her hard nipples scraping the inside of her shirt.

See the difference? You don’t need to sing about how cold it is, if you bring that coldness to the reader—via shivers, hard nipples, and steaming breath. Likewise, you don’t need to tell the reader that it’s morning if you show the reader a low sun and frost.

If you do too much singing, your reader is going to stay on the surface of your story. You won’t suck them into the moment. But if you bring them into the scene with solid sensory details, riveting metaphors, and skillful description, you’ll enable them to experience the story from the inside.

And that’s right where you want them.

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